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Nef told the Los Angeles Times: “I know it’ll be polarizing. The hyper-stylish film set in modern-day Salem touches on themes that could not feel more brutally relevant in 2018, evoking everything from social justice and outrage mobs to transphobia and toxic masculinity. Unchallenging in its subject matter and light-and-breezy in its theme, Love, Simon is not winning Oscars any time soon, but it’s tailor-made to fit into a genre otherwise dominated by heteronormative releases.
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It’s a silent epidemic that, now more than ever, especially under our administration, is growing in traction.”įar-and-away 2018’s most-hyped gay release was Greg Berlanti’s teen rom-com Love, Simon which stars Nick Robinson as a boy-next-door Simon Spier, who happens to be gay. “Doing research for this film, I was unaware of the modernity of the issue of gay conversion in America. “Growing up in a conservative southern baptist community, ‘praying the gay away,’ as they would say, was something we were very aware of in our community-didn’t believe in, but were aware of,” Moretz told PinkNews. Shipped off to an emotionally-sterile Christian gay ‘cure’ centre, the film takes an unflinching look at the harsh reality of conversion therapy. In one of two major gay movies in 2018 to tackle the subject of gay ‘cure’ therapy, grown-up Kick-Ass star Chloë Grace Moretz plays a teen caught having a sexual encounter with another girl. The gay film made its debut at the 2018 Cannes Film Festival to overwhelming acclaim but was banned in Kenya overs its gay themes.ĭespite a quiet commercial release in January, this comedy-drama starring Alex Lawther of The End of the F***ing World fame has earned praise from LGBT+ audiences for its nuanced and warm-hearted portrayal of gender non-confirming teen Billy as a fish out-of-water in a small conservative town.Īdd in a scene-stealing turn from Bette Midler as Billy’s ‘Muv’ and a cameo from trans actor Laverne Cox, and you have the makings of a queer classic.īased on the novel by James St James, Trudie Styler‘s directorial debut sends out a clear message of inclusivity to anyone who has ever felt different. This vivid, vibrant love story from Kenyan director Wanuri Kahiu stars Samantha Mugatsia and Sheila Munyiva as the daughters of two rival political candidates, falling in love and navigating homophobia attitudes.
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We list the best gay movies with descriptions about them. That means it's likely to be seen by a much wider audience than any of the films listed below, which were smaller, quirkier, independent productions.As 2018 draws to a close, PinkNews looks at the best gay films released across the year in queer cinema.Ģ018 saw gay movies break into the mainstream with Love, Simon and The Miseducation of Cameron Post, while plenty of other releases championed queer representation. Love, Simon isn't the first film to tackle what it's like to come out in high school, but it is the first one released by a major studio. That's admirable, even if the film's chaste attitude toward sex means they're seeing only a part of a version of themselves onscreen. It's entirely intentional - in interviews, filmmaker Greg Berlanti says Love, Simon presents a well-scrubbed version of the coming out process so that queer kids can finally see an idealized version of themselves onscreen. But once again that familiar apportioning occurs - Simon's sexuality is kept feathery and abstract, and any depiction of same-sex attraction is saved for the film's emotional crescendo. Love, Simon is also set in a high school, and also features a young man struggling to come out - it's the story of its main character's private and public acknowledgement of his Queer Identity. Monkey See A Gay Teen Romance, Sealed With A Peck: 'Love, Simon' That fact also serves, intentionally or not, to cause these films to concern themselves more expressly with Queer Identity than Queer Desire. In American films like Making Love (1982), In & Out (1997), Beginners (2010) and 4th Man Out (2016), the process of coming out is complicated by the fact that it occurs later in life than is usual. Which is probably why we keep making movies about it. It's marked by fits and starts, denials and avowals, fraught conversations in somebody's car, the fear of rejection and, hopefully, the relief of acceptance. It has a timeline, and not necessarily a smooth one. What does not vary in the process of coming out is the fact that it is a process. The process of coming to terms with one's sexuality varies widely, depending on the individual - it can be scary, invigorating, heartbreaking, life-affirming usually it's some complex combination of those feelings and more. Billy (Alex Lawther) and Blah Blah Blah (AnnaSophia Robb) in 2018's Freak Show.